ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ARTISTS
RESEARCHERS
Affiliate
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AARON RICHMOND | Doctors of L'Esprit nouveau, 1920-1925
The medicalization of art and architecture within the French periodical L’Esprit nouveau (1920–1925).
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AMANDA GUTIERREZ |
Flâneuse
Focused especially on the role of sound in everyday experience, drawing on methods of urban studies and acoustic ecology.
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CLAIRE VIONNET | Dancing Intimacies
An Anthropology in Feeling, Moving and Touching
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Clement Guegen
TATIANA KOROLEVA | (Un)Disciplined Bodies: Psychology of Transformation in Performance Art
Ritualistic performance art, sacred art, socially-engaged art practices, immigration and displacement, ancestral memory and family histories
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1001 Lights
PHILIP SZPORER | Visual Perception and Experiential Engagement
Perception, embodiment, corporeality, movement, fil, video, new media, performance, immersive, affect, expression, cross-cultural, communication, inter-reflectivity.
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Feminist Art Gallery
CHRISTOPHER WILLES | Interdisciplinary performance and collective practice
Performance, Music / Sound, Dance Dramaturgy, Critical Pedagogies, Collective Strategies
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Bailey Eng
LUCY FANDEL | The windy days
How to integrate ecological principles in making dances? A practice of writing and moving eco-choreography: an embodied response to the shifting conditions of a living scenography.
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Halo, 2017
PHILIPPE BATTIKHA | Music, composition and community organizing
Following in a tradition of sound-artists and composers such as Max Neuhaus and R. Murray Schafer, my work centers around the belief that in today’s visually driven society we must pay closer attention to the impact and importance aural environments play in our lives.
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ALYSSA RYVERS |
Composer / Interdisciplinary Artist
Creating collaborative transdisciplinary works in the classical music tradition.
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CHRISTINE cricri BELLEROSE | I Dance Land
An Autotheory/Autoethnography of Multiple Somatic Dimensions Experienced in Eco-Performance: Reactivating Somatic Connection to the Land .
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MARIANA MARCASSA | Between Muteness and the World
Through voice and sound–as performance, as aesthetic proposition and clinical intervention– Mariana has been asking, in practice and theory, how an engagement with sound as vibration and voice-without-language might facilitate new modes of experience, and with these, new techniques for living.