ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ABOUT US
We are a community of interdisciplinary performance practitioners made up of faculty, students, artists and affiliate researchers united by the desire to collaborate.
Our research-creation areas include participatory performance, collaborative creation, sound and music, oral history performance, intermedia performance, technologies, dramaturgy, contemporary circus, amongst many more.
OUR MISSION
Interdisciplinary Hub - Performance Practices - Collaborative encounters
The Performing Arts Research Cluster (LePARC) is a community of researchers within the MILIEUX Institute for Arts Culture and Technology at Concordia University, with a mission to investigate performance practices by facilitating collaborative encounters through interdisciplinary hub.
LePARC artist-researchers study the positive transformative impacts of performance practices on individuals and societies, and develop creative theories, methods, technologies, perceptual strategies that strengthen these impacts.
The core of our members’ work is to question and advance their creative practice through collaborative encounters and interdisciplinary conversations. Faculty, students, and an international network of artists and scholars, expand the creation, presentation, and articulation of encounters between performers and audiences.
ARTISTS
RESEARCHERS
Affiliate
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AARON RICHMOND | Doctors of L'Esprit nouveau, 1920-1925
The medicalization of art and architecture within the French periodical L’Esprit nouveau (1920–1925).
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Feminist Art Gallery
CHRISTOPHER WILLES | Interdisciplinary performance and collective practice
Performance, Music / Sound, Dance Dramaturgy, Critical Pedagogies, Collective Strategies
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HUBERT GENDRON-BLAIS | Résonances manifestes: Music, affects & politics
A sound study on how ambient sounds can participate to the consistence of the affective communities, and how some music processes can orient the experimentation of new ways to gather in the event.
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1001 Lights
PHILIP SZPORER | Visual Perception and Experiential Engagement
Perception, embodiment, corporeality, movement, fil, video, new media, performance, immersive, affect, expression, cross-cultural, communication, inter-reflectivity.
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Clement Guegen
TATIANA KOROLEVA | (Un)Disciplined Bodies: Psychology of Transformation in Performance Art
Ritualistic performance art, sacred art, socially-engaged art practices, immigration and displacement, ancestral memory and family histories
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AMANDA GUTIERREZ |
Flâneuse
Focused especially on the role of sound in everyday experience, drawing on methods of urban studies and acoustic ecology.
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CHRISTINE cricri BELLEROSE | I Dance Land
An Autotheory/Autoethnography of Multiple Somatic Dimensions Experienced in Eco-Performance: Reactivating Somatic Connection to the Land.
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Bailey Eng
LUCY FANDEL | The windy days
Writing and moving errance, inside and outside: an embodied response to the shifting conditions of a living scenography. The project seeks to make dance by composing with affect and placehood.
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Halo, 2017
PHILIPPE BATTIKHA | Music, composition and community organizing
Following in a tradition of sound-artists and composers such as Max Neuhaus and R. Murray Schafer, my work centers around the belief that in a visually driven society we must pay closer attention to aural environments.
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ALYSSA RYVERS |
Composer / Interdisciplinary Artist
Creating collaborative transdisciplinary works in the classical music tradition.
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CLAIRE VIONNET | Dancing Intimacies
An Anthropology in Feeling, Moving and Touching
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MARIANA MARCASSA | Between Muteness and the World
Through voice and sound–as performance, as aesthetic proposition and clinical intervention– Mariana has been asking, in practice and theory, how an engagement with sound as vibration and voice-without-language might facilitate new modes of experience, and with these, new techniques for living.
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Morgane Clément-Gagnon
PIERRE-MARC OUELLETTE | Corps dialectiques: une esthétique de l'ambivalence
The idea of a Dialectical body is thought through the encounter of a personal ambivalence towards the act of creation. A collaboration with visual artist Manon De Pauw and dancer Nikita Peruzzini.