AARON RICHMOND | Doctors of L'Esprit nouveau, 1920-1925

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 The medicalization of art and architecture within the French periodical L’Esprit nouveau (1920–1925).

AMANDA GUTIERREZ |

Flâneuse

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Focused especially on the role of sound in everyday experience, drawing on methods of urban studies and acoustic ecology.

CLAIRE VIONNET | Dancing Intimacies

An Anthropology in Feeling, Moving and Touching

TATIANA KOROLEVA | (Un)Disciplined Bodies: Psychology of Transformation in Performance Art

Ritualistic performance art, sacred art, socially-engaged art practices, immigration and displacement, ancestral memory and family histories

PHILIP SZPORER | Visual Perception and Experiential Engagement

Perception, embodiment, corporeality, movement, fil, video, new media, performance, immersive, affect, expression, cross-cultural, communication, inter-reflectivity.

CHRISTOPHER WILLES | Interdisciplinary performance and collective practice

Performance, Music / Sound, Dance Dramaturgy, Critical Pedagogies, Collective Strategies

LUCY FANDEL | The windy days

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How to integrate ecological principles in making dances? A practice of writing and moving eco-choreography: an embodied response to the shifting conditions of a living scenography.

lucyfandel.com

PHILIPPE BATTIKHA | Music, composition and community organizing

Following in a tradition of sound-artists and composers such as Max Neuhaus and R. Murray Schafer, my work centers around the belief that in today’s visually driven society we must pay closer attention to the impact and importance aural environments play in our lives.

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https://www.philippebattikha.com/

ALYSSA RYVERS |

Composer / Interdisciplinary Artist

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Creating collaborative transdisciplinary works in the classical music tradition.

CHRISTINE cricri BELLEROSE | I Dance Land

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An Autotheory/Autoethnography of Multiple Somatic Dimensions Experienced in Eco-Performance: Reactivating Somatic Connection to the Land .

MARIANA MARCASSA | Between Muteness and the World

Through voice and sound–as performance, as aesthetic proposition and clinical intervention– Mariana has been asking, in practice and theory, how an engagement with sound as vibration and voice-without-language might facilitate new modes of experience, and with these, new techniques for living.