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 The medicalization of art and architecture within the French periodical L’Esprit nouveau (1920–1925).

Creating collaborative transdisciplinary works in the classical music tradition.

An Anthropology in Feeling, Moving and Touching

Malte is exploring natural and urban spaces, creating with their inherent soundscapes and examining sustainable futures through non-anthropocentric sensing.

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http://malteleander.com/

Following in a tradition of sound-artists and composers such as Max Neuhaus and R. Murray Schafer, my work centers around the belief that in a visually driven society we must pay closer attention to aural environments.

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https://www.philippebattikha.com/

Leaning into her ADHD’s body bio-rhythm activated through voice, Adriana has reclaimed attentional drifts, digressions, tangents, stimming, both hyper focusing in and 'zoning out' as valuable creative forms. Liberated from the need for coherence, motivated instead by sensory precision determined through pleasure, Adriana creates radical works that challenge audiences and performers to inhabit modes of being that are attentionally diverse and sensorially engaged. 

adrianaminu.com

Performance, Music / Sound, Dance Dramaturgy, Critical Pedagogies, Collective Strategies

A sound study on how ambient sounds can participate to the consistence of the affective communities, and how some music processes can orient the experimentation of new ways to gather in the event.

Through voice and sound–as performance, as aesthetic proposition and clinical intervention– Mariana has been asking, in practice and theory, how an engagement with sound as vibration and voice-without-language might facilitate new modes of experience, and with these, new techniques for living.

The idea of a Dialectical body is thought through the encounter of a personal ambivalence towards the act of creation. A collaboration with visual artist Manon De Pauw and dancer Nikita Peruzzini.

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Focused especially on the role of sound in everyday experience, drawing on methods of urban studies and acoustic ecology.

An Autotheory/Autoethnography of Multiple Somatic Dimensions Experienced in Eco-Performance: Reactivating Somatic Connection to the Land.

Writing and moving errance, inside and outside: an embodied response to the shifting conditions of a living scenography. The project seeks to make dance by composing with affect and placehood.

lucyfandel.com

Perception, embodiment, corporeality, movement, fil, video, new media, performance, immersive, affect, expression, cross-cultural, communication, inter-reflectivity.

Ritualistic performance art, sacred art, socially-engaged art practices, immigration and displacement, ancestral memory and family histories